Published
Milk VFX, a Phantom Media Group company, delivered 662 visual effects shots for Under Salt Marsh, supporting the project from early concept development through to final compositing. Guided by director Claire Oakley’s vision, the work combined large-scale visual ambition with a commitment to realism and invisible effects. The brief called for expansive environments, dramatic weather and significant digital world-building, all grounded in authentic locations and believable natural conditions to ensure the story’s setting felt tangible and lived-in.
Working closely with Milk Production VFX Supervisor Mark Harris, Production VFX Producer Patrizia Mule and Milk VFX Producer Jasmine Ford-Elgood, the team delivered large-scale environment builds, complex weather simulations and seamless compositing in support of Oakley’s vision of a place that felt entirely authentic and grounded.
Working closely with Milk Production VFX Supervisor Mark Harris, Production VFX Producer Patrizia Mule and Milk VFX Producer Jasmine Ford-Elgood, the team delivered large-scale environment builds, complex weather simulations and seamless compositing in support of Oakley’s vision of a place that felt entirely authentic and grounded.
- Category
- CG Movie - Making Of
- Tags
- under salt marsh, vfx, animation
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