Built to hunt. Designed to destroy.
Framestore’s Melbourne and Mumbai teams brought the formidable War Machine to life for Netflix’s sci-fi action thriller, War Machine.
Led by VFX Supervisor Joao Sita, the teams developed an animalistic digital creature, complete with fluid, predatory movement, battle-worn textures and an atmospheric scanning system. Across 252 shots, the work spans intense chase sequences, expansive battlefield environments and explosive FX, culminating in a high-stakes quarry showdown.
Go behind the scenes and discover what it took to bring this beast to life.
Read the full case study here: https://www.framestore.com/work/war-machine
???? Subscribe for more behind-the-scenes VFX content: @FramestoreOfficial
???? See more of our work: https://www.framestore.com
???? Follow us:
Twitter/X: @Framestore
Instagram: @framestore
LinkedIn: https://www.linkedin.com/company/framestore/
Framestore’s Melbourne and Mumbai teams brought the formidable War Machine to life for Netflix’s sci-fi action thriller, War Machine.
Led by VFX Supervisor Joao Sita, the teams developed an animalistic digital creature, complete with fluid, predatory movement, battle-worn textures and an atmospheric scanning system. Across 252 shots, the work spans intense chase sequences, expansive battlefield environments and explosive FX, culminating in a high-stakes quarry showdown.
Go behind the scenes and discover what it took to bring this beast to life.
Read the full case study here: https://www.framestore.com/work/war-machine
???? Subscribe for more behind-the-scenes VFX content: @FramestoreOfficial
???? See more of our work: https://www.framestore.com
???? Follow us:
Twitter/X: @Framestore
Instagram: @framestore
LinkedIn: https://www.linkedin.com/company/framestore/
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