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  <title>CG Movie - Making Of - RSS Feed</title>
  <link>https://www.cgshort.com/browse-cgmovie_makingof-videos-1-date.html</link>
  <description>CGShort Animated Short Films VFX Passion VfxBreakdown CGI Computer Graphic</description>
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   <title>The Making of &quot;The Abandons&quot; - VFX Breakdown — MR. X</title>
   <link>https://www.cgshort.com/the-making-of-the-abandons-vfx-breakdown-%e2%80%94-mr-x_7f82df9d3.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/7f82df9d3-1.jpg"  /></p>MR. X presents our VFX Breakdown for THE ABANDONS. Have a look at the behind the scenes work on the fiery cattle stampede.<br />
<br />
Watch all seven episodes now on Netflix!<br />
<br />
#TheAbandons #Netflix #VFX #VFXBreakdown #VisualEffects #MRX]]></description>
   <pubDate>Wed, 17 Jun 2026 19:18:58 +0000</pubDate>
   <media:content medium="video" duration="129"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Making of &amp;quot;The Abandons&amp;quot; - VFX Breakdown — MR. X</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/7f82df9d3-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;MR. X presents our VFX Breakdown for THE ABANDONS. Have a look at the behind the scenes work on the fiery cattle stampede.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Watch all seven episodes now on Netflix!&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#TheAbandons #Netflix #VFX #VFXBreakdown #VisualEffects #MRX]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/7f82df9d3-1.jpg" />
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   <guid>https://www.cgshort.com/the-making-of-the-abandons-vfx-breakdown-%e2%80%94-mr-x_7f82df9d3.html</guid>
  </item>
  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>Deep Dive VFX En profondeur - The Monsters from IT: Welcome to Derry — Rodeo FX</title>
   <link>https://www.cgshort.com/deep-dive-vfx-en-profondeur-the-monsters-from-it-welcome-to-derry-%e2%80%94-rodeo-fx_b777205c9.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/b777205c9-1.jpg"  /></p>Assets Supervisor Philip Harris-Genois and CG Supervisor Steph Wagner take you on a deep dive of Rodeo FX's work on the terrifying creatures of IT: Welcome to Derry.<br />
<br />
From Pennywise's many transformations to the VES award-winning Pickle Monster, a horrendous flying dead baby, and a mother no one would want to meet — dive into the making of these monsters, the challenges overcome, and the craft behind every nightmare. Enjoy watching!<br />
<br />
﻿Thank you to FMX - Film & Media Exchange for hosting this conference in their 2026 program.<br />
<br />
﻿—<br />
<br />
Le superviseur d'assets Philip Harris-Genois et la superviseure CG Steph Wagner vous plongent dans le travail de Rodeo FX sur les terrifiantes créatures de IT: Welcome to Derry.<br />
﻿<br />
Des multiples transformations de Pennywise au Pickle Monster primé aux VES, en passant par un bébé volant horrifiant et une mère que personne ne voudrait avoir — plongez dans la création de ces monstres, les défis surmontés et le savoir-faire derrière chaque cauchemar. Bonne écoute ﻿!<br />
<br />
﻿﻿Merci à FMX - Film & ﻿Media Exchange d'avoir hébergé cette conférence dans leur programmation 2026.<br />
<br />
---------------------------------<br />
<br />
Full-service, award-winning creative company with teams in Montreal, Quebec City, Toronto, Los Angeles, Paris and Bengaluru.<br />
<br />
Nous sommes une entreprise créative polyvalente et primée, avec des équipes à Montréal, Québec, Toronto, Los Angeles, Paris et Bengaluru.<br />
<br />
RODEO FX<br />
<br />
https://www.rodeofx.com/<br />
YouTube: youtube.com/@Rodeo_FX<br />
Instagram:instagram.com/rodeofx_film.episodic<br />
LinkedIn: linkedin.com/company/rodeo-fx<br />
<br />
RODEO ADVERTISING & EXPERIENCES<br />
<br />
Instagram: instagram.com/rodeofx_ads.exp<br />
LinkedIn: linkedin.com/showcase/rodeo-fx-advertising-experiences<br />
<br />
RODEO PRODUCTION<br />
<br />
Instagram: instagram.com/rodeoproduction<br />
LinkedIn: linkedin.com/company/rodeo-production]]></description>
   <pubDate>Wed, 17 Jun 2026 19:18:54 +0000</pubDate>
   <media:content medium="video" duration="2979"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Deep Dive VFX En profondeur - The Monsters from IT: Welcome to Derry — Rodeo FX</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/b777205c9-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Assets Supervisor Philip Harris-Genois and CG Supervisor Steph Wagner take you on a deep dive of Rodeo FX&apos;s work on the terrifying creatures of IT: Welcome to Derry.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
From Pennywise&apos;s many transformations to the VES award-winning Pickle Monster, a horrendous flying dead baby, and a mother no one would want to meet — dive into the making of these monsters, the challenges overcome, and the craft behind every nightmare. Enjoy watching!&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
﻿Thank you to FMX - Film &amp; Media Exchange for hosting this conference in their 2026 program.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
﻿—&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Le superviseur d&apos;assets Philip Harris-Genois et la superviseure CG Steph Wagner vous plongent dans le travail de Rodeo FX sur les terrifiantes créatures de IT: Welcome to Derry.&amp;lt;br /&amp;gt;
﻿&amp;lt;br /&amp;gt;
Des multiples transformations de Pennywise au Pickle Monster primé aux VES, en passant par un bébé volant horrifiant et une mère que personne ne voudrait avoir — plongez dans la création de ces monstres, les défis surmontés et le savoir-faire derrière chaque cauchemar. Bonne écoute ﻿!&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
﻿﻿Merci à FMX - Film &amp; ﻿Media Exchange d&apos;avoir hébergé cette conférence dans leur programmation 2026.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
---------------------------------&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Full-service, award-winning creative company with teams in Montreal, Quebec City, Toronto, Los Angeles, Paris and Bengaluru.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Nous sommes une entreprise créative polyvalente et primée, avec des équipes à Montréal, Québec, Toronto, Los Angeles, Paris et Bengaluru.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
RODEO FX&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
https://www.rodeofx.com/&amp;lt;br /&amp;gt;
YouTube: youtube.com/@Rodeo_FX&amp;lt;br /&amp;gt;
Instagram:instagram.com/rodeofx_film.episodic&amp;lt;br /&amp;gt;
LinkedIn: linkedin.com/company/rodeo-fx&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
RODEO ADVERTISING &amp; EXPERIENCES&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Instagram: instagram.com/rodeofx_ads.exp&amp;lt;br /&amp;gt;
LinkedIn: linkedin.com/showcase/rodeo-fx-advertising-experiences&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
RODEO PRODUCTION&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Instagram: instagram.com/rodeoproduction&amp;lt;br /&amp;gt;
LinkedIn: linkedin.com/company/rodeo-production]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/b777205c9-1.jpg" />
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  </item>
  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>Oceans | Océans — Rodeo FX</title>
   <link>https://www.cgshort.com/oceans-oceans-%e2%80%94-rodeo-fx_f26e31337.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/f26e31337-1.jpg"  /></p>Vast bodies of water, tamed or unleashed, hiding secrets yet to be discovered. Just in time for World Ocean Day, dive into our Ocean Reel: a showcase of our waterwork across the last several years.<br />
<br />
—<br />
<br />
Des étendues d'eau immenses, domptées ou déchaînées, recelant des secrets encore à découvrir. Juste à temps pour la Journée mondiale des océans, plongez dans notre Reel d'océans : une vitrine de nos créations aquatiques des dernières années.<br />
<br />
---------------------------------<br />
<br />
Full-service, award-winning creative company with teams in Montreal, Quebec City, Toronto, Los Angeles, and Paris.<br />
<br />
Nous sommes une entreprise créative polyvalente et primée, avec des équipes à Montréal, Québec, Toronto, Los Angeles et Paris.<br />
<br />
RODEO FX<br />
<br />
https://www.rodeofx.com/<br />
YouTube: youtube.com/@Rodeo_FX<br />
Instagram:instagram.com/rodeofx_film.episodic<br />
LinkedIn: linkedin.com/company/rodeo-fx<br />
<br />
RODEO ADVERTISING & EXPERIENCES<br />
<br />
Instagram: instagram.com/rodeofx_ads.exp<br />
LinkedIn: linkedin.com/showcase/rodeo-fx-advertising-experiences<br />
<br />
RODEO PRODUCTION<br />
<br />
Instagram: instagram.com/rodeoproduction<br />
LinkedIn: linkedin.com/company/rodeo-production]]></description>
   <pubDate>Wed, 17 Jun 2026 19:18:54 +0000</pubDate>
   <media:content medium="video" duration="58"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Oceans | Océans — Rodeo FX</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/f26e31337-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Vast bodies of water, tamed or unleashed, hiding secrets yet to be discovered. Just in time for World Ocean Day, dive into our Ocean Reel: a showcase of our waterwork across the last several years.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
—&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Des étendues d&apos;eau immenses, domptées ou déchaînées, recelant des secrets encore à découvrir. Juste à temps pour la Journée mondiale des océans, plongez dans notre Reel d&apos;océans : une vitrine de nos créations aquatiques des dernières années.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
---------------------------------&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Full-service, award-winning creative company with teams in Montreal, Quebec City, Toronto, Los Angeles, and Paris.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Nous sommes une entreprise créative polyvalente et primée, avec des équipes à Montréal, Québec, Toronto, Los Angeles et Paris.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
RODEO FX&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
https://www.rodeofx.com/&amp;lt;br /&amp;gt;
YouTube: youtube.com/@Rodeo_FX&amp;lt;br /&amp;gt;
Instagram:instagram.com/rodeofx_film.episodic&amp;lt;br /&amp;gt;
LinkedIn: linkedin.com/company/rodeo-fx&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
RODEO ADVERTISING &amp; EXPERIENCES&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Instagram: instagram.com/rodeofx_ads.exp&amp;lt;br /&amp;gt;
LinkedIn: linkedin.com/showcase/rodeo-fx-advertising-experiences&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
RODEO PRODUCTION&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Instagram: instagram.com/rodeoproduction&amp;lt;br /&amp;gt;
LinkedIn: linkedin.com/company/rodeo-production]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/f26e31337-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/oceans-oceans-%e2%80%94-rodeo-fx_f26e31337.html</guid>
  </item>
  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>The Making of &quot;IT: Welcome to Derry&quot; - VFX Breakdown — MR. X</title>
   <link>https://www.cgshort.com/the-making-of-it-welcome-to-derry-vfx-breakdown-%e2%80%94-mr-x_620f66b10.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/620f66b10-1.jpg"  /></p>MR. X is proud to present our VFX Breakdown for IT: WELCOME TO DERRY. From the nightmarish transformations to chilling supernatural details, explore every moment brought to life…???? <br />
<br />
Thank you to Andy Muschietti, Barbara Muschietti, Daryl Sawchuk, Steve Dellerson, and Janet Muswell Hamilton for the opportunity and creative partnership. <br />
<br />
Watch all episodes now on HBO Max! <br />
<br />
#ITWelcometoDerry #IT #WelcometoDerry #StephenKing #HBO #VFX #VFXBreakdown #VisualEffects #MrX]]></description>
   <pubDate>Wed, 17 Jun 2026 19:18:21 +0000</pubDate>
   <media:content medium="video" duration="105"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Making of &amp;quot;IT: Welcome to Derry&amp;quot; - VFX Breakdown — MR. X</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/620f66b10-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;MR. X is proud to present our VFX Breakdown for IT: WELCOME TO DERRY. From the nightmarish transformations to chilling supernatural details, explore every moment brought to life…???? &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Thank you to Andy Muschietti, Barbara Muschietti, Daryl Sawchuk, Steve Dellerson, and Janet Muswell Hamilton for the opportunity and creative partnership. &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Watch all episodes now on HBO Max! &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#ITWelcometoDerry #IT #WelcometoDerry #StephenKing #HBO #VFX #VFXBreakdown #VisualEffects #MrX]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/620f66b10-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/the-making-of-it-welcome-to-derry-vfx-breakdown-%e2%80%94-mr-x_620f66b10.html</guid>
  </item>
  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>The Making of &quot;Wednesday: Season 2&quot; - VFX Breakdown — MR. X</title>
   <link>https://www.cgshort.com/the-making-of-wednesday-season-2-vfx-breakdown-%e2%80%94-mr-x_32ce0f6d2.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/32ce0f6d2-1.jpg"  /></p>MR. X proudly presents our VFX Breakdown for WEDNESDAY Season 2. From the monstrous Hyde creatures to the eerie environments, explore every chilling detail!<br />
 <br />
Watch all eight episodes now on Netflix!<br />
 <br />
#Wednesday #Netflix #TimBurton #VFX #VFXBreakdown #VisualEffects #MrX]]></description>
   <pubDate>Wed, 17 Jun 2026 19:18:21 +0000</pubDate>
   <media:content medium="video" duration="160"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Making of &amp;quot;Wednesday: Season 2&amp;quot; - VFX Breakdown — MR. X</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/32ce0f6d2-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;MR. X proudly presents our VFX Breakdown for WEDNESDAY Season 2. From the monstrous Hyde creatures to the eerie environments, explore every chilling detail!&amp;lt;br /&amp;gt;
 &amp;lt;br /&amp;gt;
Watch all eight episodes now on Netflix!&amp;lt;br /&amp;gt;
 &amp;lt;br /&amp;gt;
#Wednesday #Netflix #TimBurton #VFX #VFXBreakdown #VisualEffects #MrX]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/32ce0f6d2-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/the-making-of-wednesday-season-2-vfx-breakdown-%e2%80%94-mr-x_32ce0f6d2.html</guid>
  </item>
  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>The Making of &quot;The First Omen&quot; - VFX Breakdown — MR. X</title>
   <link>https://www.cgshort.com/the-making-of-the-first-omen-vfx-breakdown-%e2%80%94-mr-x_e0c72ab8b.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/e0c72ab8b-1.jpg"  /></p>MR. X proudly presents our VFX Breakdown for ‘The First Omen.’ From the terrifying CG jackal creature to the jaw-dropping fire simulations, our team had a killer time working on the latest installment of this iconic film franchise.<br />
<br />
#TheFirstOmen #VFXBreakdown #VFX #VisualEffects #MrX]]></description>
   <pubDate>Wed, 17 Jun 2026 19:18:21 +0000</pubDate>
   <media:content medium="video" duration="135"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Making of &amp;quot;The First Omen&amp;quot; - VFX Breakdown — MR. X</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/e0c72ab8b-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;MR. X proudly presents our VFX Breakdown for ‘The First Omen.’ From the terrifying CG jackal creature to the jaw-dropping fire simulations, our team had a killer time working on the latest installment of this iconic film franchise.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#TheFirstOmen #VFXBreakdown #VFX #VisualEffects #MrX]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/e0c72ab8b-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/the-making-of-the-first-omen-vfx-breakdown-%e2%80%94-mr-x_e0c72ab8b.html</guid>
  </item>
  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>The Making of &quot;Guillermo del Toro&apos;s Cabinet of Curiosities&quot; - VFX Breakdown — MR. X</title>
   <link>https://www.cgshort.com/the-making-of-guillermo-del-toros-cabinet-of-curiosities-vfx-breakdown-%e2%80%94-mr-x_2efa7f245.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/2efa7f245-1.jpg"  /></p>The Making of "Guillermo del Toro's Cabinet of Curiosities" - VFX Breakdown<br />
<br />
Be sure to subscribe to MR. X for more!<br />
<br />
#vfx #vfxbreakdown #visualeffects #mrx]]></description>
   <pubDate>Wed, 17 Jun 2026 19:18:20 +0000</pubDate>
   <media:content medium="video" duration="161"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Making of &amp;quot;Guillermo del Toro&amp;apos;s Cabinet of Curiosities&amp;quot; - VFX Breakdown — MR. X</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/2efa7f245-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;The Making of &quot;Guillermo del Toro&apos;s Cabinet of Curiosities&quot; - VFX Breakdown&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Be sure to subscribe to MR. X for more!&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#vfx #vfxbreakdown #visualeffects #mrx]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/2efa7f245-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/the-making-of-guillermo-del-toros-cabinet-of-curiosities-vfx-breakdown-%e2%80%94-mr-x_2efa7f245.html</guid>
  </item>
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   <title>Prehistoric Planet: Ice Age Previs Reel| Framestore</title>
   <link>https://www.cgshort.com/prehistoric-planet-ice-age-previs-reel-framestore_c94942c36.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/c94942c36-1.jpg"  /></p>Framestore’s Pre-Production Services (FPS) team provided previs for the entire third season of the critically acclaimed docuseries Prehistoric Planet: Ice Age, helping establish the visual language of a prehistoric world long before production began.<br />
<br />
Working closely with the filmmakers, FPS was tasked with balancing engaging storytelling, documentary-style authenticity and scientific accuracy. Reimagining extinct creatures through the lens of a natural history series required the team to rethink traditional layout and staging, treating every CG sequence as though it had been captured by a wildlife camera crew observing behaviour in the wild.<br />
<br />
The previs was a monumental undertaking, with FPS creating more than 1,600 unique shots across the season in just nine months, laying the structural foundations for every episode before a single background plate was filmed on location.<br />
<br />
Herein, you’ll see how FPS helped shape the series’ key sequences, establishing camera language, creature behaviour and storytelling beats that guided the production from concept through to final execution.<br />
<br />
Discover how the team built the visual blueprint for an entire prehistoric world in our full case study here: https://www.framestore.com/work/previsualisation-prehistoric-planet-ice-age<br />
<br />
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  <br />
???? See more of our work: https://www.framestore.com<br />
<br />
???? Follow us:<br />
Twitter/X: @Framestore<br />
Instagram: @framestore<br />
LinkedIn: https://www.linkedin.com/company/framestore/]]></description>
   <pubDate>Wed, 17 Jun 2026 15:28:52 +0000</pubDate>
   <media:content medium="video" duration="166"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Prehistoric Planet: Ice Age Previs Reel| Framestore</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/c94942c36-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Framestore’s Pre-Production Services (FPS) team provided previs for the entire third season of the critically acclaimed docuseries Prehistoric Planet: Ice Age, helping establish the visual language of a prehistoric world long before production began.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Working closely with the filmmakers, FPS was tasked with balancing engaging storytelling, documentary-style authenticity and scientific accuracy. Reimagining extinct creatures through the lens of a natural history series required the team to rethink traditional layout and staging, treating every CG sequence as though it had been captured by a wildlife camera crew observing behaviour in the wild.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
The previs was a monumental undertaking, with FPS creating more than 1,600 unique shots across the season in just nine months, laying the structural foundations for every episode before a single background plate was filmed on location.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Herein, you’ll see how FPS helped shape the series’ key sequences, establishing camera language, creature behaviour and storytelling beats that guided the production from concept through to final execution.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Discover how the team built the visual blueprint for an entire prehistoric world in our full case study here: https://www.framestore.com/work/previsualisation-prehistoric-planet-ice-age&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  &amp;lt;br /&amp;gt;
???? See more of our work: https://www.framestore.com&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Follow us:&amp;lt;br /&amp;gt;
Twitter/X: @Framestore&amp;lt;br /&amp;gt;
Instagram: @framestore&amp;lt;br /&amp;gt;
LinkedIn: https://www.linkedin.com/company/framestore/]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/c94942c36-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/prehistoric-planet-ice-age-previs-reel-framestore_c94942c36.html</guid>
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   <title>FOLKS I Five Nights at Freddy&apos;s 2 I VFX Breakdown</title>
   <link>https://www.cgshort.com/folks-i-five-nights-at-freddys-2-i-vfx-breakdown_c89e8edd3.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/c89e8edd3-1.jpg"  /></p>The night shift never ends. <br />
 <br />
One year after the nightmare at Freddy Fazbear’s Pizza, Five Nights at Freddy’s 2 delivers a darker new chapter of animatronic terror. <br />
 <br />
Our VFX team brought Freddy, Bonnie, Chica, and Foxy to life through seamless, performance-driven work that blends practical effects with precision digital enhancements. <br />
 <br />
Huge thanks to our talented team — and to Blumhouse for trusting us with this iconic franchise. The visual effects were led by JV Pike (VFX Supervisor).]]></description>
   <pubDate>Wed, 17 Jun 2026 10:52:03 +0000</pubDate>
   <media:content medium="video" duration="116"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>FOLKS I Five Nights at Freddy&amp;apos;s 2 I VFX Breakdown</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/c89e8edd3-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;The night shift never ends. &amp;lt;br /&amp;gt;
 &amp;lt;br /&amp;gt;
One year after the nightmare at Freddy Fazbear’s Pizza, Five Nights at Freddy’s 2 delivers a darker new chapter of animatronic terror. &amp;lt;br /&amp;gt;
 &amp;lt;br /&amp;gt;
Our VFX team brought Freddy, Bonnie, Chica, and Foxy to life through seamless, performance-driven work that blends practical effects with precision digital enhancements. &amp;lt;br /&amp;gt;
 &amp;lt;br /&amp;gt;
Huge thanks to our talented team — and to Blumhouse for trusting us with this iconic franchise. The visual effects were led by JV Pike (VFX Supervisor).]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/c89e8edd3-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/folks-i-five-nights-at-freddys-2-i-vfx-breakdown_c89e8edd3.html</guid>
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   <title>Rising Sun Pictures (RSP) The Bluff - VFX Breakdown</title>
   <link>https://www.cgshort.com/rising-sun-pictures-rsp-the-bluff-vfx-breakdown_f6d74f79c.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/f6d74f79c-1.jpg"  /></p>Rising Sun Pictures (RSP) is a feature film visual effects company based in Adelaide, South Australia. rsp.com.au #rspvfx <br />
<br />
This is our The Bluff VFX Showreel. All videos are created by Rising Sun Pictures and copyright their respective studios. <br />
<br />
Please do not re-post this content.]]></description>
   <pubDate>Wed, 17 Jun 2026 10:50:43 +0000</pubDate>
   <media:content medium="video" duration="77"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Rising Sun Pictures (RSP) The Bluff - VFX Breakdown</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/f6d74f79c-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Rising Sun Pictures (RSP) is a feature film visual effects company based in Adelaide, South Australia. rsp.com.au #rspvfx &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
This is our The Bluff VFX Showreel. All videos are created by Rising Sun Pictures and copyright their respective studios. &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Please do not re-post this content.]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/f6d74f79c-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/rising-sun-pictures-rsp-the-bluff-vfx-breakdown_f6d74f79c.html</guid>
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   <title>Wednesday S2 | VFX Breakdown | Eyeline</title>
   <link>https://www.cgshort.com/wednesday-s2-vfx-breakdown-eyeline_b4d992290.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/b4d992290-1.jpg"  /></p>Wednesday S2 | VFX Breakdown | Eyeline]]></description>
   <pubDate>Wed, 17 Jun 2026 08:37:43 +0000</pubDate>
   <media:content medium="video" duration="155"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Wednesday S2 | VFX Breakdown | Eyeline</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/b4d992290-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Wednesday S2 | VFX Breakdown | Eyeline]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/b4d992290-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/wednesday-s2-vfx-breakdown-eyeline_b4d992290.html</guid>
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   <title>Hoppers: One Shot, Many Artists | &apos;Single Shot&apos; Progression for Bear Attack (Hoppers now on Disney+)</title>
   <link>https://www.cgshort.com/hoppers-one-shot-many-artists-single-shot-progression-for-bear-attack-hoppers-now-on-disney-%e2%80%94-pixar_3c0f9be93.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/3c0f9be93-1.jpg"  /></p>Watch as Pixar artists carefully craft a single shot of animation for the original film, HOPPERS. Now streaming on ‪‪@disneyplus! See more behind the scenes material, original short films, and filmmaker interviews on THE PIXAR SHOW, now on Pixar's YouTube page! <br />
<br />
#animation #pixar #disney #disneyplus #hoppers #film #movies #bts #behindthescenes <br />
<br />
Chapters: <br />
00:00 - Intro<br />
00:24 - Story<br />
03:20 - Art <br />
05:48 - Sets (Environments) <br />
09:00 - Camera & Staging (Layout) <br />
11:13 - Animation <br />
12:50 - Character Simulation <br />
15:39 - Effects (Water) <br />
18:21 - Effects (Vegetation) <br />
21:00 - Lighting & Compositing <br />
23:58 - Rendering (Lightspeed) <br />
25:51 - Editorial 28:09 - End Credits<br />
<br />
► SUBSCRIBE to the channel to get notified when new Pixar videos are posted: https://www.youtube.com/pixar?sub_confirmation=1<br />
<br />
► SUBSCRIBE to Disney+ to stream all of your favorite Pixar shows and movies: https://www.disneyplus.com/<br />
<br />
Follow on social media to get the latest news and announcements from Pixar:<br />
<br />
TikTok: https://www.tiktok.com/@pixar?lang=en<br />
Instagram: https://www.instagram.com/pixar<br />
Facebook: https://www.facebook.com/Pixar<br />
X: https://x.com/pixar<br />
<br />
Experience more stories by subscribing: <br />
<br />
@Disney <br />
@marvel <br />
@StarWars <br />
@disneyplus]]></description>
   <pubDate>Mon, 15 Jun 2026 18:49:29 +0000</pubDate>
   <media:content medium="video" duration="1712"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Hoppers: One Shot, Many Artists | &amp;apos;Single Shot&amp;apos; Progression for Bear Attack (Hoppers now on Disney+)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/3c0f9be93-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Watch as Pixar artists carefully craft a single shot of animation for the original film, HOPPERS. Now streaming on ‪‪@disneyplus! See more behind the scenes material, original short films, and filmmaker interviews on THE PIXAR SHOW, now on Pixar&apos;s YouTube page! &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#animation #pixar #disney #disneyplus #hoppers #film #movies #bts #behindthescenes &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Chapters: &amp;lt;br /&amp;gt;
00:00 - Intro&amp;lt;br /&amp;gt;
00:24 - Story&amp;lt;br /&amp;gt;
03:20 - Art &amp;lt;br /&amp;gt;
05:48 - Sets (Environments) &amp;lt;br /&amp;gt;
09:00 - Camera &amp; Staging (Layout) &amp;lt;br /&amp;gt;
11:13 - Animation &amp;lt;br /&amp;gt;
12:50 - Character Simulation &amp;lt;br /&amp;gt;
15:39 - Effects (Water) &amp;lt;br /&amp;gt;
18:21 - Effects (Vegetation) &amp;lt;br /&amp;gt;
21:00 - Lighting &amp; Compositing &amp;lt;br /&amp;gt;
23:58 - Rendering (Lightspeed) &amp;lt;br /&amp;gt;
25:51 - Editorial 28:09 - End Credits&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
► SUBSCRIBE to the channel to get notified when new Pixar videos are posted: https://www.youtube.com/pixar?sub_confirmation=1&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
► SUBSCRIBE to Disney+ to stream all of your favorite Pixar shows and movies: https://www.disneyplus.com/&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Follow on social media to get the latest news and announcements from Pixar:&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
TikTok: https://www.tiktok.com/@pixar?lang=en&amp;lt;br /&amp;gt;
Instagram: https://www.instagram.com/pixar&amp;lt;br /&amp;gt;
Facebook: https://www.facebook.com/Pixar&amp;lt;br /&amp;gt;
X: https://x.com/pixar&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Experience more stories by subscribing: &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
@Disney &amp;lt;br /&amp;gt;
@marvel &amp;lt;br /&amp;gt;
@StarWars &amp;lt;br /&amp;gt;
@disneyplus]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/3c0f9be93-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/hoppers-one-shot-many-artists-single-shot-progression-for-bear-attack-hoppers-now-on-disney-%e2%80%94-pixar_3c0f9be93.html</guid>
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   <title>The Fires VFX Breakdown — PFX</title>
   <link>https://www.cgshort.com/the-fires-vfx-breakdown-%e2%80%94-pfx_b9ce88df9.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/b9ce88df9-1.jpg"  /></p>Here is a closer look at the VFX breakdown for “The Fires”, which received the Eddan Award for Best Visual Effects. A big thank you to director Ugla Hauksdóttir and producers Grímar Jónsson, Klaudia Śmieja, and Bogna Szewczyk for the great collaboration. Huge thanks also to the whole PFX team and everyone who brought their care to the project. We are so happy we could be part of it.????]]></description>
   <pubDate>Mon, 15 Jun 2026 18:46:41 +0000</pubDate>
   <media:content medium="video" duration="71"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Fires VFX Breakdown — PFX</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/b9ce88df9-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Here is a closer look at the VFX breakdown for “The Fires”, which received the Eddan Award for Best Visual Effects. A big thank you to director Ugla Hauksdóttir and producers Grímar Jónsson, Klaudia Śmieja, and Bogna Szewczyk for the great collaboration. Huge thanks also to the whole PFX team and everyone who brought their care to the project. We are so happy we could be part of it.????]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/b9ce88df9-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/the-fires-vfx-breakdown-%e2%80%94-pfx_b9ce88df9.html</guid>
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   <title>The Last Whale Singer Color Grading — PFX</title>
   <link>https://www.cgshort.com/the-last-whale-singer-color-grading-%e2%80%94-pfx_1dfad7dbd.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/1dfad7dbd-1.jpg"  /></p>The Last Whale Singer Color Grading — PFX]]></description>
   <pubDate>Mon, 15 Jun 2026 18:46:40 +0000</pubDate>
   <media:content medium="video" duration="55"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Last Whale Singer Color Grading — PFX</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/1dfad7dbd-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;The Last Whale Singer Color Grading — PFX]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/1dfad7dbd-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/the-last-whale-singer-color-grading-%e2%80%94-pfx_1dfad7dbd.html</guid>
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   <title>Knives Out: Wake Up Dead Man VFX Breakdown — PFX</title>
   <link>https://www.cgshort.com/knives-out-wake-up-dead-man-vfx-breakdown-%e2%80%94-pfx_220600f9d.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/220600f9d-1.jpg"  /></p>Here’s a look behind the scenes of “Wake Up Dead Man: A Knives Out Mystery”. Our team worked on 123 VFX shots, from clean compositing to environment extensions. It was a great project to be part of, with many small details coming together on screen. Big thanks to everyone involved. Now streaming on Netflix.]]></description>
   <pubDate>Mon, 15 Jun 2026 18:46:40 +0000</pubDate>
   <media:content medium="video" duration="62"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Knives Out: Wake Up Dead Man VFX Breakdown — PFX</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/220600f9d-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Here’s a look behind the scenes of “Wake Up Dead Man: A Knives Out Mystery”. Our team worked on 123 VFX shots, from clean compositing to environment extensions. It was a great project to be part of, with many small details coming together on screen. Big thanks to everyone involved. Now streaming on Netflix.]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/220600f9d-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/knives-out-wake-up-dead-man-vfx-breakdown-%e2%80%94-pfx_220600f9d.html</guid>
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   <title>Prehistoric Planet: Ice Age VFX Breakdown | Framestore</title>
   <link>https://www.cgshort.com/prehistoric-planet-ice-age-vfx-breakdown-framestore_3ae46b520.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/3ae46b520-1.jpg"  /></p>Explore the award-winning VFX behind Prehistoric Planet: Ice Age, the critically acclaimed third season of the Apple TV docuseries executive produced by Jon Favreau and Mike Gunton and produced by the BBC Studios Natural History Unit.<br />
<br />
Our global teams were tasked with developing the VFX and animation for over 40 scientifically accurate creatures, many never-before-seen on screen. From sabre-toothed cats to rhino-sized wombats, tiny island elephants, and the largest ape to ever live, the core creative challenge was ensuring these animals felt as real, grounded, and emotionally compelling as subjects in a modern wildlife documentary.<br />
<br />
Prehistoric Planet: Ice Age earned our global team Best FX at the Annie Awards alongside double honours at the VES Awards for Outstanding Visual Effects and Outstanding Effects Simulation.<br />
<br />
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  <br />
???? See more of our work: https://www.framestore.com<br />
<br />
???? Follow us:<br />
Twitter/X: @Framestore<br />
Instagram: @framestore<br />
LinkedIn: https://www.linkedin.com/company/framestore/]]></description>
   <pubDate>Mon, 15 Jun 2026 18:40:27 +0000</pubDate>
   <media:content medium="video" duration="191"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Prehistoric Planet: Ice Age VFX Breakdown | Framestore</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/3ae46b520-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Explore the award-winning VFX behind Prehistoric Planet: Ice Age, the critically acclaimed third season of the Apple TV docuseries executive produced by Jon Favreau and Mike Gunton and produced by the BBC Studios Natural History Unit.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Our global teams were tasked with developing the VFX and animation for over 40 scientifically accurate creatures, many never-before-seen on screen. From sabre-toothed cats to rhino-sized wombats, tiny island elephants, and the largest ape to ever live, the core creative challenge was ensuring these animals felt as real, grounded, and emotionally compelling as subjects in a modern wildlife documentary.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Prehistoric Planet: Ice Age earned our global team Best FX at the Annie Awards alongside double honours at the VES Awards for Outstanding Visual Effects and Outstanding Effects Simulation.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  &amp;lt;br /&amp;gt;
???? See more of our work: https://www.framestore.com&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Follow us:&amp;lt;br /&amp;gt;
Twitter/X: @Framestore&amp;lt;br /&amp;gt;
Instagram: @framestore&amp;lt;br /&amp;gt;
LinkedIn: https://www.linkedin.com/company/framestore/]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/3ae46b520-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/prehistoric-planet-ice-age-vfx-breakdown-framestore_3ae46b520.html</guid>
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   <title>The Making of &quot;The Deliverance&quot; - VFX Breakdown — MR. X</title>
   <link>https://www.cgshort.com/the-making-of-the-deliverance-vfx-breakdown-%e2%80%94-mr-x_c78b97d5b.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/c78b97d5b-1.jpg"  /></p>MR. X is proud to present our VFX Breakdown for Netflix’s ‘The Deliverance’, directed by Lee Daniels. Our team oversaw all visual effects for the making of this horror film, bringing the story of demonic possession to life through CG creatures and environments. Warning: Watch at your own risk!<br />
<br />
#TheDeliverance #Netflix #LeeDaniels #VFX #VisualEffects #MRX]]></description>
   <pubDate>Thu, 11 Jun 2026 20:54:36 +0000</pubDate>
   <media:content medium="video" duration="138"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Making of &amp;quot;The Deliverance&amp;quot; - VFX Breakdown — MR. X</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/c78b97d5b-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;MR. X is proud to present our VFX Breakdown for Netflix’s ‘The Deliverance’, directed by Lee Daniels. Our team oversaw all visual effects for the making of this horror film, bringing the story of demonic possession to life through CG creatures and environments. Warning: Watch at your own risk!&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#TheDeliverance #Netflix #LeeDaniels #VFX #VisualEffects #MRX]]&amp;gt;</media:description>
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   <title>VFX: How We Created the Double Performance in El Angel (2018) — Boat Media</title>
   <link>https://www.cgshort.com/vfx-how-we-created-the-double-performance-in-el-angel-2018-%e2%80%94-boat-media_78a5eb274.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/78a5eb274-1.jpg"  /></p>Today we remember when Malena Villa shared the screen with herself thanks to our VFX work. <br />
You can watch El Angel on HBO and Prime Video.<br />
<br />
12 Silver Condor 2019 Awards: <br />
Best film + Best Director + Best cinematography<br />
Best editing + Best art direction, among others.<br />
<br />
Directed by Luis Ortega<br />
A K&S Films production.<br />
VFX Supe: Jonathan Monroig<br />
VFX Production: Sebastián Toro, Eva Amuchastegui & Rocío Kancepolski<br />
VFX Shots: 80]]></description>
   <pubDate>Thu, 11 Jun 2026 20:34:30 +0000</pubDate>
   <media:content medium="video" duration="75"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>VFX: How We Created the Double Performance in El Angel (2018) — Boat Media</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/78a5eb274-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Today we remember when Malena Villa shared the screen with herself thanks to our VFX work. &amp;lt;br /&amp;gt;
You can watch El Angel on HBO and Prime Video.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
12 Silver Condor 2019 Awards: &amp;lt;br /&amp;gt;
Best film + Best Director + Best cinematography&amp;lt;br /&amp;gt;
Best editing + Best art direction, among others.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Directed by Luis Ortega&amp;lt;br /&amp;gt;
A K&amp;S Films production.&amp;lt;br /&amp;gt;
VFX Supe: Jonathan Monroig&amp;lt;br /&amp;gt;
VFX Production: Sebastián Toro, Eva Amuchastegui &amp; Rocío Kancepolski&amp;lt;br /&amp;gt;
VFX Shots: 80]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/78a5eb274-1.jpg" />
   </media:content>
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   <title>VFX: The houses of The house of the spirits — Boat Media</title>
   <link>https://www.cgshort.com/vfx-the-houses-of-the-house-of-the-spirits-%e2%80%94-boat-media_df3d528bd.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/df3d528bd-1.jpg"  /></p>From CG environments, set extensions, CG crowds, FX simulations, CG animals, and much more, we’re proud to have been part of the VFX team behind The House of the Spirits, where high-end storytelling meets top-tier visual effects.<br />
<br />
160 VFX shots & 10 CG assets delivered by Boat.<br />
Watch The House of the Spirits on Amazon Prime Video.<br />
<br />
Main Titles:<br />
Show VFX Supervisor: Alejandro Valente<br />
Creators: Francisca Alegría & Fernanda Urrejola<br />
Produced by: FilmNation Entertainment, Amazon Prime Video & Fábula Producciones. Andrés Wood & Courtney Saladino<br />
Amazon VFX Executive: Sandro Di Segni<br />
Based on Isabel Allende’s novel La casa de los espíritus<br />
Cast: Alfonso Herrera, Rochi Hernández, Dolores Fonzi, Néstor Cantillana, Nicole Wallace, Sara Becker, Fernanda Urrejola, and more.<br />
<br />
Boat Heads:<br />
VFX Director Supervisor: Guille Lawlor<br />
VFX Supervisors: Juan Olivares & Santiago Svirsky<br />
VFX Producer: Cecilia Menchaca<br />
VFX Executive Producer: Bruno Fauceglia<br />
CG Supervisor: Juan Curcho<br />
FX Supervisor: Alan Rinaldi<br />
VFX Coordinators: Majo Tabares & Melina Maciel]]></description>
   <pubDate>Thu, 11 Jun 2026 20:34:30 +0000</pubDate>
   <media:content medium="video" duration="72"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>VFX: The houses of The house of the spirits — Boat Media</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/df3d528bd-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;From CG environments, set extensions, CG crowds, FX simulations, CG animals, and much more, we’re proud to have been part of the VFX team behind The House of the Spirits, where high-end storytelling meets top-tier visual effects.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
160 VFX shots &amp; 10 CG assets delivered by Boat.&amp;lt;br /&amp;gt;
Watch The House of the Spirits on Amazon Prime Video.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Main Titles:&amp;lt;br /&amp;gt;
Show VFX Supervisor: Alejandro Valente&amp;lt;br /&amp;gt;
Creators: Francisca Alegría &amp; Fernanda Urrejola&amp;lt;br /&amp;gt;
Produced by: FilmNation Entertainment, Amazon Prime Video &amp; Fábula Producciones. Andrés Wood &amp; Courtney Saladino&amp;lt;br /&amp;gt;
Amazon VFX Executive: Sandro Di Segni&amp;lt;br /&amp;gt;
Based on Isabel Allende’s novel La casa de los espíritus&amp;lt;br /&amp;gt;
Cast: Alfonso Herrera, Rochi Hernández, Dolores Fonzi, Néstor Cantillana, Nicole Wallace, Sara Becker, Fernanda Urrejola, and more.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Boat Heads:&amp;lt;br /&amp;gt;
VFX Director Supervisor: Guille Lawlor&amp;lt;br /&amp;gt;
VFX Supervisors: Juan Olivares &amp; Santiago Svirsky&amp;lt;br /&amp;gt;
VFX Producer: Cecilia Menchaca&amp;lt;br /&amp;gt;
VFX Executive Producer: Bruno Fauceglia&amp;lt;br /&amp;gt;
CG Supervisor: Juan Curcho&amp;lt;br /&amp;gt;
FX Supervisor: Alan Rinaldi&amp;lt;br /&amp;gt;
VFX Coordinators: Majo Tabares &amp; Melina Maciel]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/df3d528bd-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/vfx-the-houses-of-the-house-of-the-spirits-%e2%80%94-boat-media_df3d528bd.html</guid>
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  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>Behind Deadpool: 10 Year Anniversary | Digital Domain</title>
   <link>https://www.cgshort.com/behind-deadpool-10-year-anniversary-digital-domain_11a4f0c48.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/11a4f0c48-1.jpg"  /></p>10 years later, we’re going behind the scenes of Deadpool.<br />
<br />
In this episode, Juan Pablo Allgeier revisits Digital Domain’s work on the film’s final sequence, including matte painting, CG environment extensions, and the post-explosion destruction that helped bring the climactic scene to life.<br />
<br />
#Deadpool #VFX #VisualEffects #BehindTheScenes #DigitalDomain]]></description>
   <pubDate>Wed, 10 Jun 2026 10:23:20 +0000</pubDate>
   <media:content medium="video" duration="239"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Behind Deadpool: 10 Year Anniversary | Digital Domain</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/11a4f0c48-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;10 years later, we’re going behind the scenes of Deadpool.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
In this episode, Juan Pablo Allgeier revisits Digital Domain’s work on the film’s final sequence, including matte painting, CG environment extensions, and the post-explosion destruction that helped bring the climactic scene to life.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#Deadpool #VFX #VisualEffects #BehindTheScenes #DigitalDomain]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/11a4f0c48-1.jpg" />
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   <guid>https://www.cgshort.com/behind-deadpool-10-year-anniversary-digital-domain_11a4f0c48.html</guid>
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