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  <description>CGShort Animated Short Films VFX Passion VfxBreakdown CGI Computer Graphic</description>
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   <title>DEATH STRANDING 2: ON THE BEACH Short Trailer | Wildlife — Kojima Productions</title>
   <link>https://www.cgshort.com/death-stranding-2-on-the-beach-short-trailer-wildlife-%e2%80%94-kojima-productions_e7efadfd5.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/e7efadfd5-1.jpg"  /></p>In the world of DEATH STRANDING 2: ON THE BEACH, you’ll encounter a variety of wildlife.<br />
You can rescue these animals, and if you deliver them to an animal shelter… something good might happen ????<br />
<br />
DEATH STRANDING 2: ON THE BEACH<br />
<br />
PC Version<br />
Steam: https://store.steampowered.com/app/3280350/DEATH_STRANDING_2_ON_THE_BEACH/<br />
Epic Games Store: https://store.epicgames.com/p/death-stranding-2-on-the-beach-7773ec<br />
<br />
PlayStation®5<br />
https://www.playstation.com/games/death-stranding-2-on-the-beach/<br />
<br />
#DeathStranding2]]></description>
   <pubDate>Mon, 02 Nov 2026 11:32:23 +0000</pubDate>
   <media:content medium="video" duration="34"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>DEATH STRANDING 2: ON THE BEACH Short Trailer | Wildlife — Kojima Productions</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/e7efadfd5-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;In the world of DEATH STRANDING 2: ON THE BEACH, you’ll encounter a variety of wildlife.&amp;lt;br /&amp;gt;
You can rescue these animals, and if you deliver them to an animal shelter… something good might happen ????&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
DEATH STRANDING 2: ON THE BEACH&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
PC Version&amp;lt;br /&amp;gt;
Steam: https://store.steampowered.com/app/3280350/DEATH_STRANDING_2_ON_THE_BEACH/&amp;lt;br /&amp;gt;
Epic Games Store: https://store.epicgames.com/p/death-stranding-2-on-the-beach-7773ec&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
PlayStation®5&amp;lt;br /&amp;gt;
https://www.playstation.com/games/death-stranding-2-on-the-beach/&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#DeathStranding2]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/e7efadfd5-1.jpg" />
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   <guid>https://www.cgshort.com/death-stranding-2-on-the-beach-short-trailer-wildlife-%e2%80%94-kojima-productions_e7efadfd5.html</guid>
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   <title>Animation and FX | Moana | Wētā FX</title>
   <link>https://www.cgshort.com/animation-and-fx-moana-weta-fx_40ac40019.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/40ac40019-1.jpg"  /></p>Ambitious. Immersive. Magical. Epic. Some of our Wētā FX crew discuss their work on this year's #Moana, including the challenge of digitally recreating the larger-than-life characters of Te Kā and Te Fiti out of real world elements.  Thank you to our friends at Te_Papa for letting us film at their beautiful museum in our own Pacific hometown of Wellington, New Zealand, and for the wonderful opportunity to connect with our natural environment through their Te Taiao | Nature exhibition.<br />
<br />
Subscribe HERE: https://www.youtube.com/channel/UCoIp9ExTikEf3EktFIpzvOw?sub_confirmation=1<br />
<br />
About Wētā FX:<br />
Wētā FX is the standard-bearer for creative innovation in Visual Effects and Animation, attracting talent, partners, and clients who seek a collaborator that embraces and nurtures their artistic vision.<br />
<br />
Our renowned proprietary pipeline provides artists with the tools and infrastructure they need to create their best work. Headquartered in Wellington, New Zealand, with creative hubs in Vancouver, Canada and Melbourne, Australia, we are over 2,000 of the most ambitious artists, engineers, and executives you’re likely to meet.  <br />
<br />
Across three decades, our trailblazing work has so far earned seven visual effects Academy Awards®, 15 Academy Sci-Tech Awards and seven visual effects BAFTA Awards in addition to 61 Visual Effects Society Awards, awarded to us by our peers. <br />
<br />
We’re known for performance-driven animated creatures and characters such as Gollum, Kong, Neytiri, Caesar, and Pogo as well as for the universes they inhabit, including Middle-earth, Pandora and countless others.<br />
 <br />
Visit www.wetafx.co.nz for more.<br />
 <br />
Find us on social:<br />
Instagram: www.instagram.com/wetafxofficial<br />
Twitter: www.twitter.com/WetaFXofficial<br />
Facebook: www.facebook.com/WetaFXofficial<br />
<br />
#WetaFX #moana  #vfx <br />
<br />
Animation and FX | Moana | Wētā FX<br />
https://youtu.be/N8oJiT_r5G8]]></description>
   <pubDate>Mon, 02 Nov 2026 11:08:10 +0000</pubDate>
   <media:content medium="video" duration="141"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Animation and FX | Moana | Wētā FX</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/40ac40019-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Ambitious. Immersive. Magical. Epic. Some of our Wētā FX crew discuss their work on this year&apos;s #Moana, including the challenge of digitally recreating the larger-than-life characters of Te Kā and Te Fiti out of real world elements.  Thank you to our friends at Te_Papa for letting us film at their beautiful museum in our own Pacific hometown of Wellington, New Zealand, and for the wonderful opportunity to connect with our natural environment through their Te Taiao | Nature exhibition.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Subscribe HERE: https://www.youtube.com/channel/UCoIp9ExTikEf3EktFIpzvOw?sub_confirmation=1&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
About Wētā FX:&amp;lt;br /&amp;gt;
Wētā FX is the standard-bearer for creative innovation in Visual Effects and Animation, attracting talent, partners, and clients who seek a collaborator that embraces and nurtures their artistic vision.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Our renowned proprietary pipeline provides artists with the tools and infrastructure they need to create their best work. Headquartered in Wellington, New Zealand, with creative hubs in Vancouver, Canada and Melbourne, Australia, we are over 2,000 of the most ambitious artists, engineers, and executives you’re likely to meet.  &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Across three decades, our trailblazing work has so far earned seven visual effects Academy Awards®, 15 Academy Sci-Tech Awards and seven visual effects BAFTA Awards in addition to 61 Visual Effects Society Awards, awarded to us by our peers. &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
We’re known for performance-driven animated creatures and characters such as Gollum, Kong, Neytiri, Caesar, and Pogo as well as for the universes they inhabit, including Middle-earth, Pandora and countless others.&amp;lt;br /&amp;gt;
 &amp;lt;br /&amp;gt;
Visit www.wetafx.co.nz for more.&amp;lt;br /&amp;gt;
 &amp;lt;br /&amp;gt;
Find us on social:&amp;lt;br /&amp;gt;
Instagram: www.instagram.com/wetafxofficial&amp;lt;br /&amp;gt;
Twitter: www.twitter.com/WetaFXofficial&amp;lt;br /&amp;gt;
Facebook: www.facebook.com/WetaFXofficial&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#WetaFX #moana  #vfx &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Animation and FX | Moana | Wētā FX&amp;lt;br /&amp;gt;
https://youtu.be/N8oJiT_r5G8]]&amp;gt;</media:description>
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   <guid>https://www.cgshort.com/animation-and-fx-moana-weta-fx_40ac40019.html</guid>
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   <title>Moana VFX Highlights | Moana | Wētā FX</title>
   <link>https://www.cgshort.com/moana-vfx-highlights-moana-weta-fx_755bebc98.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/755bebc98-1.jpg"  /></p>Check out all the amazing work our artists did on the live action Moana - being respectful to the animated film we all love, while making Te Kā and Te Fiti a believable part of a photo-real Pacific Ocean setting.<br />
<br />
Subscribe HERE: https://www.youtube.com/channel/UCoIp9ExTikEf3EktFIpzvOw?sub_confirmation=1<br />
<br />
About Wētā FX:<br />
Wētā FX is the standard-bearer for creative innovation in Visual Effects and Animation, attracting talent, partners, and clients who seek a collaborator that embraces and nurtures their artistic vision.<br />
<br />
Our renowned proprietary pipeline provides artists with the tools and infrastructure they need to create their best work. Headquartered in Wellington, New Zealand, with creative hubs in Vancouver, Canada and Melbourne, Australia, we are over 2,000 of the most ambitious artists, engineers, and executives you’re likely to meet.  <br />
<br />
Across three decades, our trailblazing work has so far earned seven visual effects Academy Awards®, 15 Academy Sci-Tech Awards and seven visual effects BAFTA Awards in addition to 61 Visual Effects Society Awards, awarded to us by our peers. <br />
<br />
We’re known for performance-driven animated creatures and characters such as Gollum, Kong, Neytiri, Caesar, and Pogo as well as for the universes they inhabit, including Middle-earth, Pandora and countless others.<br />
 <br />
Visit www.wetafx.co.nz for more.<br />
 <br />
Find us on social:<br />
Instagram: www.instagram.com/wetafxofficial<br />
Twitter: www.twitter.com/WetaFXofficial<br />
Facebook: www.facebook.com/WetaFXofficial<br />
<br />
#WetaFX #Moana #VFX<br />
<br />
Moana VFX Highlights | Moana | Wētā FX<br />
https://youtu.be/Zc5ib2Z7Xh4]]></description>
   <pubDate>Mon, 02 Nov 2026 11:08:10 +0000</pubDate>
   <media:content medium="video" duration="117"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Moana VFX Highlights | Moana | Wētā FX</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/755bebc98-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Check out all the amazing work our artists did on the live action Moana - being respectful to the animated film we all love, while making Te Kā and Te Fiti a believable part of a photo-real Pacific Ocean setting.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Subscribe HERE: https://www.youtube.com/channel/UCoIp9ExTikEf3EktFIpzvOw?sub_confirmation=1&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
About Wētā FX:&amp;lt;br /&amp;gt;
Wētā FX is the standard-bearer for creative innovation in Visual Effects and Animation, attracting talent, partners, and clients who seek a collaborator that embraces and nurtures their artistic vision.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Our renowned proprietary pipeline provides artists with the tools and infrastructure they need to create their best work. Headquartered in Wellington, New Zealand, with creative hubs in Vancouver, Canada and Melbourne, Australia, we are over 2,000 of the most ambitious artists, engineers, and executives you’re likely to meet.  &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Across three decades, our trailblazing work has so far earned seven visual effects Academy Awards®, 15 Academy Sci-Tech Awards and seven visual effects BAFTA Awards in addition to 61 Visual Effects Society Awards, awarded to us by our peers. &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
We’re known for performance-driven animated creatures and characters such as Gollum, Kong, Neytiri, Caesar, and Pogo as well as for the universes they inhabit, including Middle-earth, Pandora and countless others.&amp;lt;br /&amp;gt;
 &amp;lt;br /&amp;gt;
Visit www.wetafx.co.nz for more.&amp;lt;br /&amp;gt;
 &amp;lt;br /&amp;gt;
Find us on social:&amp;lt;br /&amp;gt;
Instagram: www.instagram.com/wetafxofficial&amp;lt;br /&amp;gt;
Twitter: www.twitter.com/WetaFXofficial&amp;lt;br /&amp;gt;
Facebook: www.facebook.com/WetaFXofficial&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#WetaFX #Moana #VFX&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Moana VFX Highlights | Moana | Wētā FX&amp;lt;br /&amp;gt;
https://youtu.be/Zc5ib2Z7Xh4]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/755bebc98-1.jpg" />
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   <guid>https://www.cgshort.com/moana-vfx-highlights-moana-weta-fx_755bebc98.html</guid>
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   <title>The Mill - The Carpenter&apos;s Son VFX Breakdown</title>
   <link>https://www.cgshort.com/the-mill-the-carpenters-son-vfx-breakdown_4572236b8.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/4572236b8-1.jpg"  /></p>The Carpenter's Son (2026)<br />
<br />
Over six months, The Mill’s teams, working across Paris and Liège, delivered 125 VFX shots. The work included a CG snake, fire and smoke effects, digital body transformations, environment reconstruction, and the addition of supernatural elements.<br />
<br />
The production highlights a fundamental relationship between two disciplines: 3D creates elements that cannot be filmed practically, while 2D compositing integrates them into the live-action plate to make them feel as though they belong there.<br />
<br />
MORE<br />
https://www.themill.com/work/the-carpenters-son<br />
<br />
ABOUT US<br />
The Mill is a world-leading creative studio built on nearly four decades of award-winning craft. Spanning Brand & Content and Film & Series, we create visually ambitious work for the world's most discerning brands, studios and storytellers — conceived from the outset to move across platforms, markets and audiences without compromise.<br />
<br />
FOLLOW US<br />
Website: https://www.themill.com/<br />
LinkedIn: https://www.linkedin.com/company/the-mill<br />
Instagram: https://www.instagram.com/millchannel<br />
X: https://x.com/MILL__CHANNEL<br />
<br />
#TheMill #VFX #Brand #Content #Film #Series]]></description>
   <pubDate>Wed, 28 Oct 2026 18:21:09 +0000</pubDate>
   <media:content medium="video" duration="106"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Mill - The Carpenter&amp;apos;s Son VFX Breakdown</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/4572236b8-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;The Carpenter&apos;s Son (2026)&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Over six months, The Mill’s teams, working across Paris and Liège, delivered 125 VFX shots. The work included a CG snake, fire and smoke effects, digital body transformations, environment reconstruction, and the addition of supernatural elements.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
The production highlights a fundamental relationship between two disciplines: 3D creates elements that cannot be filmed practically, while 2D compositing integrates them into the live-action plate to make them feel as though they belong there.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
MORE&amp;lt;br /&amp;gt;
https://www.themill.com/work/the-carpenters-son&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
ABOUT US&amp;lt;br /&amp;gt;
The Mill is a world-leading creative studio built on nearly four decades of award-winning craft. Spanning Brand &amp; Content and Film &amp; Series, we create visually ambitious work for the world&apos;s most discerning brands, studios and storytellers — conceived from the outset to move across platforms, markets and audiences without compromise.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
FOLLOW US&amp;lt;br /&amp;gt;
Website: https://www.themill.com/&amp;lt;br /&amp;gt;
LinkedIn: https://www.linkedin.com/company/the-mill&amp;lt;br /&amp;gt;
Instagram: https://www.instagram.com/millchannel&amp;lt;br /&amp;gt;
X: https://x.com/MILL__CHANNEL&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#TheMill #VFX #Brand #Content #Film #Series]]&amp;gt;</media:description>
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   <guid>https://www.cgshort.com/the-mill-the-carpenters-son-vfx-breakdown_4572236b8.html</guid>
  </item>
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   <title>Inside Out Behind the Scenes | Pixar&apos;s Set the Scene</title>
   <link>https://www.cgshort.com/inside-out-behind-the-scenes-pixars-set-the-scene_73d7a69db.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/73d7a69db-1.jpg"  /></p>"Inside Out" filmmakers break down the first scene of Inside Out in which Joy meets Riley for the very first time! Director Pete Docter, Producer Jonas Rivera, Editor Kevin Nolting, and Story Supervisor Ronnie Del Carmen give an exclusive behind the scenes look at storyboards, clips, concept art, and more from INSIDE OUT, now streaming on Disney+! <br />
<br />
► SUBSCRIBE to the channel to get notified when new Pixar videos are posted: https://www.youtube.com/pixar?sub_confirmation=1<br />
<br />
► SUBSCRIBE to Disney+ to stream all of your favorite Pixar shows and movies: https://www.disneyplus.com/<br />
<br />
Follow on social media to get the latest news and announcements from Pixar:<br />
<br />
TikTok: https://www.tiktok.com/@pixar?lang=en<br />
Instagram: https://www.instagram.com/pixar<br />
Facebook: https://www.facebook.com/Pixar<br />
X: https://x.com/pixar<br />
<br />
Experience more stories by subscribing: <br />
<br />
@Disney <br />
@marvel <br />
@StarWars <br />
@disneyplus]]></description>
   <pubDate>Wed, 28 Oct 2026 18:03:57 +0000</pubDate>
   <media:content medium="video" duration="653"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Inside Out Behind the Scenes | Pixar&amp;apos;s Set the Scene</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/73d7a69db-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&quot;Inside Out&quot; filmmakers break down the first scene of Inside Out in which Joy meets Riley for the very first time! Director Pete Docter, Producer Jonas Rivera, Editor Kevin Nolting, and Story Supervisor Ronnie Del Carmen give an exclusive behind the scenes look at storyboards, clips, concept art, and more from INSIDE OUT, now streaming on Disney+! &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
► SUBSCRIBE to the channel to get notified when new Pixar videos are posted: https://www.youtube.com/pixar?sub_confirmation=1&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
► SUBSCRIBE to Disney+ to stream all of your favorite Pixar shows and movies: https://www.disneyplus.com/&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Follow on social media to get the latest news and announcements from Pixar:&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
TikTok: https://www.tiktok.com/@pixar?lang=en&amp;lt;br /&amp;gt;
Instagram: https://www.instagram.com/pixar&amp;lt;br /&amp;gt;
Facebook: https://www.facebook.com/Pixar&amp;lt;br /&amp;gt;
X: https://x.com/pixar&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Experience more stories by subscribing: &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
@Disney &amp;lt;br /&amp;gt;
@marvel &amp;lt;br /&amp;gt;
@StarWars &amp;lt;br /&amp;gt;
@disneyplus]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/73d7a69db-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/inside-out-behind-the-scenes-pixars-set-the-scene_73d7a69db.html</guid>
  </item>
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   <title>GODZILLA MINUS ZERO | Behind the Camera</title>
   <link>https://www.cgshort.com/godzilla-minus-zero-behind-the-camera_a0ec46cab.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/a0ec46cab-1.jpg"  /></p><p>GODZILLA MINUS ZERO<br />VFX, Written, and Directed by Takashi Yamazaki<br />In theatres &amp; IMAX November 6<br />Follow @godzilla_toho and @GKIDSfilms for more updates!<br />godzillaminuszero.com<br /><br />War reduced Japan to zero, and Godzilla plunged it into minus. Two years have passed since then, and the country has faced agonizing struggles to achieve recovery and finally reclaim its daily life.<br /><br />Just as humanity managed to cling to a hard-won peace, a new threat strikes, crushing hope in an instant.<br /><br />There is no third time. Everything ends here.</p>]]></description>
   <pubDate>Sun, 25 Oct 2026 19:45:11 +0000</pubDate>
   <media:content medium="video" duration="124"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>GODZILLA MINUS ZERO | Behind the Camera</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/a0ec46cab-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;GODZILLA MINUS ZERO&amp;lt;br /&amp;gt;VFX, Written, and Directed by Takashi Yamazaki&amp;lt;br /&amp;gt;In theatres &amp;amp; IMAX November 6&amp;lt;br /&amp;gt;Follow @godzilla_toho and @GKIDSfilms for more updates!&amp;lt;br /&amp;gt;godzillaminuszero.com&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;War reduced Japan to zero, and Godzilla plunged it into minus. Two years have passed since then, and the country has faced agonizing struggles to achieve recovery and finally reclaim its daily life.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Just as humanity managed to cling to a hard-won peace, a new threat strikes, crushing hope in an instant.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;There is no third time. Everything ends here.&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/a0ec46cab-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/godzilla-minus-zero-behind-the-camera_a0ec46cab.html</guid>
  </item>
  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>The Mandalorian &amp; Grogu | Breakdown Reel | Image Engine VFX</title>
   <link>https://www.cgshort.com/the-mandalorian-grogu-breakdown-reel-image-engine-vfx_85f7db42f.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/85f7db42f-1.jpg"  /></p><p>Get a look behind the scenes in our VFX breakdown reel to see how Image Engine created some of the impressive visual effects in our projects. <br /><br />#vfxstudio #visualeffects #vfx #vfxbreakdown <br /><br />SUBSCRIBE for more breakdowns and behind-the-scenes insights.<br /><br />Read our case studies ► https://image-engine.com/case-studies/<br />Watch our breakdown reels ► https://image-engine.com/reels<br /><br />Follow Image Engine on social media: <br />⇨ https://twitter.com/ImageEngine<br />⇨ https://facebook.com/ImageEngine<br />⇨ https://instagram.com/image.engine.vfx<br />⇨ https://linkedin.com/company/image-engine-design-inc-</p>]]></description>
   <pubDate>Sat, 24 Oct 2026 18:17:13 +0000</pubDate>
   <media:content medium="video" duration="162"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Mandalorian &amp;amp; Grogu | Breakdown Reel | Image Engine VFX</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/85f7db42f-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Get a look behind the scenes in our VFX breakdown reel to see how Image Engine created some of the impressive visual effects in our projects. &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;#vfxstudio #visualeffects #vfx #vfxbreakdown &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;SUBSCRIBE for more breakdowns and behind-the-scenes insights.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Read our case studies ► https://image-engine.com/case-studies/&amp;lt;br /&amp;gt;Watch our breakdown reels ► https://image-engine.com/reels&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Follow Image Engine on social media: &amp;lt;br /&amp;gt;⇨ https://twitter.com/ImageEngine&amp;lt;br /&amp;gt;⇨ https://facebook.com/ImageEngine&amp;lt;br /&amp;gt;⇨ https://instagram.com/image.engine.vfx&amp;lt;br /&amp;gt;⇨ https://linkedin.com/company/image-engine-design-inc-&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/85f7db42f-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/the-mandalorian-grogu-breakdown-reel-image-engine-vfx_85f7db42f.html</guid>
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   <title>VFX Breakdown / De-Aging &quot;Le Bureau des Légendes&quot; / Mac Guff Paris</title>
   <link>https://www.cgshort.com/vfx-breakdown-de-aging-le-bureau-des-legendes-mac-guff-paris_3e512c517.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/3e512c517-1.jpg"  /></p>VFX Breakdown / De-Aging &quot;Le Bureau des Légendes&quot; / Mac Guff Paris]]></description>
   <pubDate>Wed, 21 Oct 2026 17:59:51 +0000</pubDate>
   <media:content medium="video" duration="43"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>VFX Breakdown / De-Aging &amp;quot;Le Bureau des Légendes&amp;quot; / Mac Guff Paris</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/3e512c517-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;VFX Breakdown / De-Aging &amp;quot;Le Bureau des Légendes&amp;quot; / Mac Guff Paris]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/3e512c517-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/vfx-breakdown-de-aging-le-bureau-des-legendes-mac-guff-paris_3e512c517.html</guid>
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   <title>MACGUFF_03_2022.mov  — Mac Guff</title>
   <link>https://www.cgshort.com/macguff_03_2022mov-%e2%80%94-mac-guff_538ea18b0.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/538ea18b0-1.jpg"  /></p>MACGUFF_03_2022.mov  — Mac Guff]]></description>
   <pubDate>Wed, 21 Oct 2026 17:59:47 +0000</pubDate>
   <media:content medium="video" duration="95"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>MACGUFF_03_2022.mov  — Mac Guff</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/538ea18b0-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;MACGUFF_03_2022.mov  — Mac Guff]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/538ea18b0-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/macguff_03_2022mov-%e2%80%94-mac-guff_538ea18b0.html</guid>
  </item>
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   <title>4D Gaussian Splatting in Superman | Framestore</title>
   <link>https://www.cgshort.com/4d-gaussian-splatting-in-superman-framestore_dd22e19a4.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/dd22e19a4-1.jpg"  /></p>For the first time ever in a feature film, 4D Gaussian Splatting was brought to the big screen for James Gunn’s Superman - capturing volumetric actor performances to build an unstable, holographic message from Krypton. <br />
<br />
Join Framestore CG Supervisor Kevin Sears as he pulls back the curtain on this technical milestone. In this deep dive, Kevin explores the real-world challenges of adopting an emerging toolset, training 4,600 images per second, and integrating a new 4DGS pipeline across our R&D, FPS, and VFX teams alongside the team at Infinite Realities.<br />
<br />
From initial concept to final frame, learn how a cloud of points was transformed into photorealistic, emotional performances on screen.<br />
<br />
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  <br />
???? See more of our work: https://www.framestore.com<br />
<br />
???? Follow us:<br />
Twitter/X: @Framestore<br />
Instagram: @framestore<br />
LinkedIn: https://www.linkedin.com/company/framestore/]]></description>
   <pubDate>Wed, 21 Oct 2026 16:57:35 +0000</pubDate>
   <media:content medium="video" duration="3252"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>4D Gaussian Splatting in Superman | Framestore</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/dd22e19a4-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;For the first time ever in a feature film, 4D Gaussian Splatting was brought to the big screen for James Gunn’s Superman - capturing volumetric actor performances to build an unstable, holographic message from Krypton. &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Join Framestore CG Supervisor Kevin Sears as he pulls back the curtain on this technical milestone. In this deep dive, Kevin explores the real-world challenges of adopting an emerging toolset, training 4,600 images per second, and integrating a new 4DGS pipeline across our R&amp;D, FPS, and VFX teams alongside the team at Infinite Realities.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
From initial concept to final frame, learn how a cloud of points was transformed into photorealistic, emotional performances on screen.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  &amp;lt;br /&amp;gt;
???? See more of our work: https://www.framestore.com&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Follow us:&amp;lt;br /&amp;gt;
Twitter/X: @Framestore&amp;lt;br /&amp;gt;
Instagram: @framestore&amp;lt;br /&amp;gt;
LinkedIn: https://www.linkedin.com/company/framestore/]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/dd22e19a4-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/4d-gaussian-splatting-in-superman-framestore_dd22e19a4.html</guid>
  </item>
  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>East of Eden VFX Breakdown | Framestore</title>
   <link>https://www.cgshort.com/east-of-eden-vfx-breakdown-framestore_adb65bc87.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/adb65bc87-1.jpg"  /></p>A classic American story, brought to life for a new generation.<br />
<br />
For East of Eden, Framestore’s New York team, led by VFX Supervisor and Executive Creative Director John Kilshaw, helped bring turn-of-the-century California to the screen through period-accurate environments and seamless visual effects.<br />
<br />
From expansive CG landscapes and invisible period clean-up to creature work, fire, blood and muzzle flashes, our artists worked closely with the production team to build a world that feels authentic to John Steinbeck’s iconic story, while supporting Showrunner Zoe Kazan’s bold new vision for the adaptation.<br />
<br />
Read more in our case study: https://www.framestore.com/work/east-eden<br />
<br />
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  <br />
???? See more of our work: https://www.framestore.com<br />
<br />
???? Follow us:<br />
Twitter/X: @Framestore<br />
Instagram: @framestore<br />
LinkedIn: https://www.linkedin.com/company/framestore/]]></description>
   <pubDate>Tue, 20 Oct 2026 19:30:03 +0000</pubDate>
   <media:content medium="video" duration="85"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>East of Eden VFX Breakdown | Framestore</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/adb65bc87-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;A classic American story, brought to life for a new generation.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
For East of Eden, Framestore’s New York team, led by VFX Supervisor and Executive Creative Director John Kilshaw, helped bring turn-of-the-century California to the screen through period-accurate environments and seamless visual effects.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
From expansive CG landscapes and invisible period clean-up to creature work, fire, blood and muzzle flashes, our artists worked closely with the production team to build a world that feels authentic to John Steinbeck’s iconic story, while supporting Showrunner Zoe Kazan’s bold new vision for the adaptation.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Read more in our case study: https://www.framestore.com/work/east-eden&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  &amp;lt;br /&amp;gt;
???? See more of our work: https://www.framestore.com&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Follow us:&amp;lt;br /&amp;gt;
Twitter/X: @Framestore&amp;lt;br /&amp;gt;
Instagram: @framestore&amp;lt;br /&amp;gt;
LinkedIn: https://www.linkedin.com/company/framestore/]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/adb65bc87-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/east-of-eden-vfx-breakdown-framestore_adb65bc87.html</guid>
  </item>
  <item xmlns:media="http://search.yahoo.com/mrss/" xmlns:dcterms="http://purl.org/dc/terms/">
   <title>War Horse VFX Breakdown | Framestore</title>
   <link>https://www.cgshort.com/war-horse-vfx-breakdown-framestore_618a3ba53.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/618a3ba53-1.jpg"  /></p>As Framestore celebrates our 40th Anniversary, we’re taking a look back at some of our favourite projects.  War Horse is an incredible example of a huge film production, massive set pieces, with scores of horses on location, with their welfare and safety prioritised at all times.  <br />
<br />
Clever filmmaking and sleight of hand was used for multiple shots: replication passes turned 60 riders into a cavalry 300 strong when comped together or a small field of reeds with hiding soldiers extended as far as the eye can see.<br />
<br />
War horse Joey was built in CG for a carefully planned trench jump too dangerous for a horse and stunt rider to negotiate, with the digital takeover of a real horse and rider, delivering maximum impact.<br />
<br />
Safety regulations also require horses to be mounted during on-set explosions.  In some instances, the ‘patches’ left after erasing the rider to achieve a bolting, riderless horse, were cleverly covered by CG horses to mask them.<br />
<br />
But one scene, the tank jump, captured in camera was under scrutiny in post-production reviews, the shot not quite working for Spielberg.  Our team swapped in a CG Joey and at a following review, happy with the shot, Spielberg asked where the rushes had been found.  On revealing Joey was digital, now he had the shot he wanted, Spielberg was happy to give it his seal of approval.<br />
<br />
Read more in our case study: https://www.framestore.com/work/war-horse<br />
<br />
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  <br />
???? See more of our work: https://www.framestore.com<br />
<br />
???? Follow us:<br />
Twitter/X: @Framestore<br />
Instagram: @framestore<br />
LinkedIn: https://www.linkedin.com/company/framestore/]]></description>
   <pubDate>Tue, 20 Oct 2026 19:30:03 +0000</pubDate>
   <media:content medium="video" duration="242"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>War Horse VFX Breakdown | Framestore</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/618a3ba53-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;As Framestore celebrates our 40th Anniversary, we’re taking a look back at some of our favourite projects.  War Horse is an incredible example of a huge film production, massive set pieces, with scores of horses on location, with their welfare and safety prioritised at all times.  &amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Clever filmmaking and sleight of hand was used for multiple shots: replication passes turned 60 riders into a cavalry 300 strong when comped together or a small field of reeds with hiding soldiers extended as far as the eye can see.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
War horse Joey was built in CG for a carefully planned trench jump too dangerous for a horse and stunt rider to negotiate, with the digital takeover of a real horse and rider, delivering maximum impact.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Safety regulations also require horses to be mounted during on-set explosions.  In some instances, the ‘patches’ left after erasing the rider to achieve a bolting, riderless horse, were cleverly covered by CG horses to mask them.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
But one scene, the tank jump, captured in camera was under scrutiny in post-production reviews, the shot not quite working for Spielberg.  Our team swapped in a CG Joey and at a following review, happy with the shot, Spielberg asked where the rushes had been found.  On revealing Joey was digital, now he had the shot he wanted, Spielberg was happy to give it his seal of approval.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Read more in our case study: https://www.framestore.com/work/war-horse&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Subscribe for more behind-the-scenes VFX content:  @FramestoreOfficial  &amp;lt;br /&amp;gt;
???? See more of our work: https://www.framestore.com&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
???? Follow us:&amp;lt;br /&amp;gt;
Twitter/X: @Framestore&amp;lt;br /&amp;gt;
Instagram: @framestore&amp;lt;br /&amp;gt;
LinkedIn: https://www.linkedin.com/company/framestore/]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/618a3ba53-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/war-horse-vfx-breakdown-framestore_618a3ba53.html</guid>
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   <title>The Absent Voice | VFX Breakdown Reel — Boat Media</title>
   <link>https://www.cgshort.com/the-absent-voice-vfx-breakdown-reel-%e2%80%94-boat-media_2cd216ad3.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/2cd216ad3-1.jpg"  /></p>La Voz Ausente<br />
<br />
Psychoanalyst Pablo Rouviot investigates his brother's alleged suicide with the help of Cecilia Bermúdez, an inexperienced police officer in the hopes of finally finding closure.<br />
<br />
Supervisor de vfx: Carlos Villafañe<br />
<br />
Jefa de producción de vfx: Cecilia Menchaca<br />
<br />
Productor de linea de vfx: Lelio Heber Defelice<br />
<br />
Supervisor de CG: Juan Curcho<br />
<br />
Supervisora de CG: Mariana Irigaray<br />
<br />
Supervisor de Prep: Santosh Kumar<br />
<br />
Watch it on Disney+!]]></description>
   <pubDate>Tue, 20 Oct 2026 19:20:35 +0000</pubDate>
   <media:content medium="video" duration="65"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Absent Voice | VFX Breakdown Reel — Boat Media</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/2cd216ad3-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;La Voz Ausente&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Psychoanalyst Pablo Rouviot investigates his brother&apos;s alleged suicide with the help of Cecilia Bermúdez, an inexperienced police officer in the hopes of finally finding closure.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Supervisor de vfx: Carlos Villafañe&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Jefa de producción de vfx: Cecilia Menchaca&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Productor de linea de vfx: Lelio Heber Defelice&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Supervisor de CG: Juan Curcho&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Supervisora de CG: Mariana Irigaray&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Supervisor de Prep: Santosh Kumar&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Watch it on Disney+!]]&amp;gt;</media:description>
   <media:thumbnail url="https://www.cgshort.com/uploads/thumbs/2cd216ad3-1.jpg" />
   </media:content>
   <guid>https://www.cgshort.com/the-absent-voice-vfx-breakdown-reel-%e2%80%94-boat-media_2cd216ad3.html</guid>
  </item>
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   <title>The Mill - Aline VFX Breakdown</title>
   <link>https://www.cgshort.com/the-mill-aline-vfx-breakdown_b1d736828.html</link>
   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/b1d736828-1.jpg"  /></p>Aline by Valérie Lemercier (2021)<br />
<br />
Aline is a French-Canadian drama film, directed by Valérie Lemercier and released in 2021. A fictionalized portrayal of the life of Céline Dion, the film stars Lemercier as "Aline Dieu", a Canadian singer who rises to international superstardom. Lemercier plays Aline at every stage of her life from childhood through to middle age, with her body and face digitally adjusted for age-appropriateness in post-production.<br />
<br />
Our VFX teams worked during 6 months on 521 shots to bring to the big screen lots of emotions and songs - We guarantee you'll have a great time watching this film freely inspired by the life of Céline Dion!<br />
<br />
MORE INFO<br />
https://www.themill.com/work/aline<br />
<br />
ABOUT US<br />
The Mill is a world-leading creative studio built on nearly four decades of award-winning craft. Spanning Brand & Content and Film & Series, we create visually ambitious work for the world's most discerning brands, studios and storytellers — conceived from the outset to move across platforms, markets and audiences without compromise.<br />
<br />
FOLLOW US<br />
Website: https://www.themill.com/<br />
LinkedIn: https://www.linkedin.com/company/the-mill<br />
Instagram: https://www.instagram.com/millchannel<br />
X: https://x.com/MILL__CHANNEL<br />
<br />
#TheMill #VFX #Brand #Content #Film #Series]]></description>
   <pubDate>Sun, 18 Oct 2026 18:59:00 +0000</pubDate>
   <media:content medium="video" duration="120"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://www.cgshort.com/players/flowplayer2/flowplayer.swf" />
   <media:title>The Mill - Aline VFX Breakdown</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/b1d736828-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Aline by Valérie Lemercier (2021)&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Aline is a French-Canadian drama film, directed by Valérie Lemercier and released in 2021. A fictionalized portrayal of the life of Céline Dion, the film stars Lemercier as &quot;Aline Dieu&quot;, a Canadian singer who rises to international superstardom. Lemercier plays Aline at every stage of her life from childhood through to middle age, with her body and face digitally adjusted for age-appropriateness in post-production.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Our VFX teams worked during 6 months on 521 shots to bring to the big screen lots of emotions and songs - We guarantee you&apos;ll have a great time watching this film freely inspired by the life of Céline Dion!&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
MORE INFO&amp;lt;br /&amp;gt;
https://www.themill.com/work/aline&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
ABOUT US&amp;lt;br /&amp;gt;
The Mill is a world-leading creative studio built on nearly four decades of award-winning craft. Spanning Brand &amp; Content and Film &amp; Series, we create visually ambitious work for the world&apos;s most discerning brands, studios and storytellers — conceived from the outset to move across platforms, markets and audiences without compromise.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
FOLLOW US&amp;lt;br /&amp;gt;
Website: https://www.themill.com/&amp;lt;br /&amp;gt;
LinkedIn: https://www.linkedin.com/company/the-mill&amp;lt;br /&amp;gt;
Instagram: https://www.instagram.com/millchannel&amp;lt;br /&amp;gt;
X: https://x.com/MILL__CHANNEL&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#TheMill #VFX #Brand #Content #Film #Series]]&amp;gt;</media:description>
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   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/bfc07c1f1-1.jpg"  /></p>Avatar: The Last Airbender Breakdown Reel | Image Engine VFX]]></description>
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<br />
#vfxstudio #visualeffects #vfx #vfxbreakdown #percyjackson<br />
<br />
SUBSCRIBE for more breakdowns and behind-the-scenes insights.<br />
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Read our case studies ► https://image-engine.com/case-studies/<br />
Watch our breakdown reels ► https://image-engine.com/reels<br />
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Follow Image Engine on social media: <br />
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⇨ https://linkedin.com/company/image-engine-design-inc-]]></description>
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   <media:title>Percy Jackson and the Olympians Season 2 | Breakdown Reel | Image Engine VFX</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://www.cgshort.com/uploads/thumbs/a976d164e-1.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;Go behind the scenes of Percy Jackson and the Olympians Season 2 and explore how we brought the visual effects to life.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
#vfxstudio #visualeffects #vfx #vfxbreakdown #percyjackson&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
SUBSCRIBE for more breakdowns and behind-the-scenes insights.&amp;lt;br /&amp;gt;
&amp;lt;br /&amp;gt;
Read our case studies ► https://image-engine.com/case-studies/&amp;lt;br /&amp;gt;
Watch our breakdown reels ► https://image-engine.com/reels&amp;lt;br /&amp;gt;
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Follow Image Engine on social media: &amp;lt;br /&amp;gt;
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⇨ https://linkedin.com/company/image-engine-design-inc-]]&amp;gt;</media:description>
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   <title>BOT VFX Young Washington Reel</title>
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   <description><![CDATA[<p><img src="https://www.cgshort.com/uploads/thumbs/e28fff19d-1.jpg"  /></p>BOT VFX Young Washington Reel]]></description>
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